[iDC] notes on arch & situated sympo
Adriene Jenik
ajenik at ucsd.edu
Fri Oct 27 01:46:38 EDT 2006
Dear fellow iDC listers,
As it turned out, I was in NYC for another professional meeting, so I
was able to attend the Friday talks (but not Thurs or Sat night). As
such I feel I missed alot of the edges of the event (not to mention
more social aspects), but I did want to add my reflections to the
chorus of others before too much time passed.
I want to also thank Omar, Trebor and Mark for their organizational
efforts. The talks seemed to be well grouped and to speak to one
another (without alot of redundancies) more often than not.
It was great to see Usman Haque and Karmen Franinovic's presentations
on their very different public artworks. They both struck me as
making work that, if examined further, could help develop our
theories of public and play.
This leads me to my genuine interest in Natalie Jerimijenko's
presentation where, as others have observed, she is developing a
system to "analyze" public response to artworks, and their overall
activities in museums. She was looking specifically at hours of
videotape of people interacting with various media works. This work
interests me because I, like Natalie, and I suspect others on this
list, am consistently asked by fellow researchers in other
disciplines about the tangible results of my artistic research. I
have gotten along for a long time by arguing in favor of other
methods of analysis than a more "quantitative one" but in the process
of examining other possible methodologies of analysis, I discovered
the CSCW (Computer Supported Collaborative Work) and other CogSci
related groups. I was *shocked* when I saw the abstracted models from
which they were deriving their research. It seemed wrong-headed to
imagine that real information about real interactions could be
ascertained from such stilted situations.
In any case, I have recently been encouraged by encountering others
in the arena who are looking at the ways in which art encounters
might provide a more "holistic" arena of analysis of HCI...one
interesting person in this regard is Eric Bucy at Indiana University.
Sheila Kennedy's presentation interested me the most of all. Her real
activities in extending light (in a simple mobile way through
amplifying cell phone luminescence) was inspiring. It amplified for
me the ways in which the discussion was so centered on first world
dreams and pleasures, for the most part to the exclusion of the rest
of the world. This is not unique to this event; as has been pointed
out previously in this list, it is often the case in this field. It
obviously reflects the institutions we work for, the economy we live
within, and our own conscious or not biases in what gets to be called
"interesting" or "worthwhile."
The most resonant moment for me was a small-voiced plea that Sheila
made toward the end of the Q&A after her panel. I can't recall the
exact words, but she was asking that our considerable talents and
energies in this area be put toward solving some basic world
problems. It was her hesitancy in making this challenge that has
resonated with me in the days and nights since the symposium.
Adriene
Adriene Jenik
Associate Professor, Computer & Media Arts
Visual Arts Dept., University of California, San Diego
9500 Gilman Dr., La Jolla, CA 92093-0084
tel. 858 822-2059 fax 858 534-7976
http://www.adrienejenik.net
http://www.specflic.net
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